Wood is part of Naegleria Fowleri, a series of multimedia compositions based on the poetry of Rimona Afana. Her text adopts the perspective of an abandoned wooden chair as it recollects a history of humanity’s violence towards nature. To this I conjoined another manufactured wooden object: a cello, whose sound is dis/trans-figured, rendered artificial-beautiful through electronic processing.

At the premiere of the live version in Miami, May 2019, I triggered voiceover fragments of the cellist, Jason Calloway, reading Rimona’s text, and live-processed his performance using a multi-effects signal processor I built with the audio software Max. The following fall, on a beautiful autumn weekend, Jason visited Atlanta. Together with Rimona we recorded audio and video in the studio and in several natural spaces around the city. I used these recordings to create this video version, which was premiered at Emory University during Winter CompFest 2020.

for cello and live electronics, on a text by rimona afana

live version, 13’ (2019)
video version, 13’ (2020)

wood

Novalis Festival, Croatia, 2022
June in Buffalo, 2022
Audiovisual Frontiers, University of California, Riverside, (online gallery) 2021
REF - Resilience Festival, Foggia, Italy, 2021
International Computer Music Conference (ICMC) Santiago, Chile (online), 2021
New York City Electroacoustic Music Festival, 2021

Version for fixed stereo audio and video, 13’ (2020)

Version for cello and quad live electronics, 13’ (2019)

Performance History

Jason Calloway and Adam Mirza, at Church of St. Bede, University of Miami, Miami, FL, 2019

OTHER DOCUMENTATION

Premiere by Jason Calloway and Adam Mirza in Miami, May 2019 (audio)

Initial improvisations with early version of live processing patch